VOICE OF THE YOUTH NETWORK BLOGGER
VOICE OF THE YOUTH NETWORK
Successful audio stories most often contain these elements -
Audio Elements
* 3-5 interviews that represent the breadth of your subject
· Recorded Narration that introduces you and your subject
· Five or more sounds that emphasize your subject
· Music – due to copyright laws we discourage the use of
pre-recorded commercial music. It is possible to use it for free
for educational purposes, but only in small doses. Rather, if you
want some background music for your program find some local musicians
to record. Make sure the music complements your story.
the CREATIVE PROCESS
For audio production the basic process can be outlined by working
through the question – What am I responding to?
That discussion leads us to then ISOLATE – EMPHASIZE – RECORD – and
then PRESENT the answer.
In AUDIO RECORDING we respond to the question by saying or thinking-
· I really want to hear that person's stories
· I have this idea I want to develop using interviews
· What a great natural or man-made sound. I want to save it.
The art of audio sound recording and radio production is one of
listening. The world is full of wonderful sound, including that of
the human voice as it tells a story or describes a thought. As you
listen for recording it is important to think in layers, remembering
that each sound, recorded separately, can later be layered with other
sounds and voices to create a sound collage. Narration, interviews,
music and sound effects are all recorded and gathered separately to be
assembled in the studio.
We ISOLATE in audio through microphone technique, getting as close as
we can to the source of sound. When possible various kinds of
microphones can be employed for specific purposes.
(audio process, cont'd)
We EMPHASIZE in audio when we produce the final edited program. A
sound will stand out when no other sounds surround it and a sound will
be de-emphasized if other sounds are layered with it or if its level
(recording volume) is reduced.
We RECORD in audio by proper use of the audio recorder and microphone.
To get a good recording it's important to eliminate all extraneous
sounds. When in someone's house or office that means to listen for
potential interference and to –
· unplug the phone, especially cell phones
· turn off all appliances including the TV in distant rooms
· close doors, curtains, and windows
· ask family or office personnel to remain quiet or leave!
· make sure that the microphone and mic cords are still, as their
movement creates
sound. In the wild or outdoors sound gathering often means waiting
for distracting
sounds to cease or pass.
Finally, we PRESENT by making a radio program that is shared via radio
broadcast, distributed to individuals or heard at an exhibit via a
listening station.
In Audio Recording we seek to create a smorgasbord of creative choices
through knowledge of and control over technical and compositional
elements so that we can all feast at the table of sound.
Audio Function
Success in audio recording comes from being comfortable with the
equipment, understanding how sound is recorded and produced, and by
always monitoring sound quality. Sound recording can enrich your
experience in the world because it will focus your hearing on the many
sounds that compose any given moment of a day. Be prepared to record
by –
· becoming familiar with the recorder and it's controls
· listening for sounds that DISTRACT (the fridge, TV, etc)
· writing down some important questions for your interview
Before venturing off into the field it is good to –
· check the battery level and take extras
· load your first disc and take extras
· make sure you have headphones (and that little jack) and microphone/with cord
· also have a notepad with your questions and release forms
Sound Composition
the Interview
Interviews are the most important element in our radio production and
their success is based on two things: 1)having good initial questions
to ask, and 2) listening, so that you can elicit more stories from
the interviewee. An interview is really a portrait of a person made
with their words. The most important skill in interviewing is to
listen while showing interest. A person who knows they are really
being listened to will be more comfortable telling stories and will
tell more. As interviewer your job is to ask initial questions, then
listen, then ask follow-up questions or through gesture elicit more
talking – all while keeping track of your recording quality.
Preparing to Interview
Upon entering a home or office to conduct an interview there are 4
procedures to follow.
1) Scan the room for distracting sounds that either need eliminated or reduced.
(TV, fridge, some forms of lights, pets, family, outdoor noises,
appliances, phone)
2) Find a suitable and comfortable place to conduct the interview. A
room with furniture and some drapes will create better sound than one
with plain hard walls.
3) While doing both of the above maintain a conversation with the
person you are interviewing. Let them listen through the headphones
as you turn sounds off. Be professional as you set up and you will
find that interviewees will take more ownership in your project. As
you set up explain what you are doing with the equipment and how the
project is coming together.
4) Place the recorder so you can see the recording level and your
notes. Put your ears (headphones) on. Place or hold the microphone
off to the side, ideally about 6-12 inches away from the person's
mouth. Handholding a microphone and doing this may put you too close
to them physically for personal comfort. Make sure the microphone is
aimed at the person's mouth. Do a sound check by having the person
say something and checking the Recording level.
Conducting an Interview
The most important part of conducting an interview, once your
equipment is set up is to keep the conversation moving by requesting
stories instead of one word or short phrase answers. Here are a few
other pointers.
· Keep the microphone on the person you are interviewing. Your
question will be heard
but since it's not part of the final production it is not
important, or even good technique,
to keep turning it towards you. Besides, it might make too much noise.
· Keep your voice off the other person's voice. Be careful NOT to
talk too soon after the
person has finished or to start talking before they are done. You
need a few seconds of
no sound before and after each answer so that you can edit the
tape. We normally
acknowledge another's comments by saying "yeah," "OK," "uh-huh," or
something like
that. For radio it is good technique to acknowledge what a person
is saying via a nod of
the head, a smile or something else that is nonverbal. Hand
gestures can indicate that
you want the person to tell you more.
· Record 30 seconds of ambient sound (room noise) after each interview.
Interview Questions
One of the more challenging and interesting parts of conducting an
interview is selecting and arranging a plan of questioning. It is
usually a good idea to start out with general questions and move to
the specific. It is also good to ask the person you are interviewing
to rephrase your question as part of their answer. Questions should
elicit story answers.
Here are a few questions to get an interview started –
· Please introduce yourself by stating your name and telling how you
came to live here.
· What is your role/job/position (in the community) and what are your
responsibilities?
· Describe how you came to be interested in this kind of work.
· What do you like about your kind of work?
· What do you like about our/your community? What makes it a good
place to live?
(name the community in your question and in their answer)
· Please describe an event or experience that relates to your work
that is particularly
interesting, intriguing or even funny.
For people with specific jobs (fireman, canal operator, etc)
· What special training is needed to do what you do?
· Please describe and define any special terms that apply to your work?
· Please describe a basic day at work.
· What is the relationship of your work to the community as a whole?
How does your
work fit into the makeup of the community?
For folk or fine artists.
· How did you get interested in your form of art? Who inspired you?
Did you have to
study, and if so, where?
· Please describe your creative process? When do you work? How do
ideas come to
you? Why do you choose to use the materials that you do? How do
you know when
you are done?
· How does the local landscape and community inspire your work?
· What are you trying to say or express in your work?
If you are gathering opinions on a particular topic or subject you
should be, first, a little familiar with the subject, and second, you
should hold off on your personal opinions.
The key to getting "good tape" as they say in the industry, is to
conduct your interview in a way that elicits stories and elongated
answers. Use the "talkwith" approach where you elicit stories by
saying "tell me about…….what's the story of….." etc.
The final big point is to NOT ask questions in such a way that you get
only a yes/no answer. Such as "do you like…..?"
Going Further
Inside of each question you have prepared are more stories and
questions. Listen to the answer and they will come out. Inside of
each question are more stories and interesting information. Listen.
Allow the current story/answer to end and then you can say something
like "That was interesting. Could tell me more about_______."
You are collecting important stories and history. Conduct an
interview that extends on beyond the goal of your project. Tape is
cheap. Stories are priceless. When done, ask if there's anything
else they want to add, say thanks and get the permission on tape for
you to use their recording. You can do this by asking, "May I have
your permission to use this recording for my project?"
Gathering Sound Effects
Sound effects serve to enrich a radio production. They help paint an
aural and visual image of your subject. When placed at the end of an
important comment a well chosen sound effect acts like an exclamation
mark. What are the sounds of your subject? What sounds do you hear
in the words of your interviews? What sounds are natural? Which do
you need to create? Listen to your interviews and your own idea for
good sound.
Example: Your interviewee says, "I remember growing up on our farm
hearing the rooster crow in the morning and the sound of bacon frying
for breakfast. Later in the morning we'd go milk the cows and come
evening we'd sit on the porch and listen to the distant birds as
grandpa told stories as he rocked back and forth in his creaking old
chair."
Imbedded in each and every story are wonderful sounds that, when
layered into the production can give life to the story. In this
example one could gather and use many sounds (highlighted).
Some sounds occur naturally on their own time. These include birds,
water, animals, rain on the roof. Others can be created or
controlled. These include a car starting, a door closing, someone
walking in dry leaves. Both require the same technique. Think of
sound effects as another interview. To interview a lake, river, door
or waterfall you must
· Listen for any distracting sounds and WAIT for them to pass or cease.
· Place your microphone close to the sound source.
· Check your recorder controls and audio levels
· Keep the microphone still
· Record several seconds of no sound before and after sound effect.
· It is also good practice to give a voice cue….."waterfall take 1"
for each sound effect.
This will make it easier to find when editing.
